My work draws its essence from a vibrant intersection of drawing, photography, and writing, like an electric line coursing through reality. Each piece is born from an energetic intuition, a vision that unfolds through color as a vibratory vector. Chromatic spectrums become a language, with each hue evoking a parallel dimension, a possible reality. My creative process aligns with an almost quantum approach, where layers of images, words, and sensations interweave to make the invisible visible. In this, I fully embrace Paul Klee's words: “Art does not reproduce the visible; it makes visible.”
My studio is much more than a workspace: it is a living space, a heart of creation, an energetic hub. It's where painting, photography, digital creation, scenography, and volume come together. Far from fixed formats, I design this space as a multidisciplinary laboratory where practices interact and respond to one another. Each piece is envisioned as a fragment of a universe, a passage between visible and invisible worlds. The studio is also a place of learning and transmission, where I share the tools and visions that nourish my work.
As a French creator, I spent over fifteen years working in some of the most renowned Parisian haute couture houses. This demanding path sharpened my eye and refined my sensitivity to materials, volumes, and light. I later worked as a head costume designer for film and television, before dedicating myself to scenography for prestigious events, including at the Louvre and the Grand Palais. These experiences have shaped my visual language: each piece I create carries within it that visual memory, that attention to detail, that silent dramaturgy.
Much of my inspiration stems from the natural elements, particularly those found along the seashore: low-slanting light, salty winds, the fluid and ever-changing hues of the horizon. These seascapes are not merely settings; they are matrices of sensation, reservoirs of imagery, threshold spaces. I strive to capture the unique vibration of these fleeting moments, not by faithfully reproducing them, but by transposing them into a singular, intuitive aesthetic, imbued with the emotion and energy of the place.
Each digital work I offer is produced in a very limited edition: 28 numbered copies, accompanied by two artist's proofs. This deliberate choice affirms the rarity and uniqueness of every creation. Owning one of these pieces means entering an intimate constellation, a sensitive dialogue between artistic vision and personal gaze. Each work is signed under the name Fanch, a unique artistic identity under which I gather all my creations. A signature that unites my different visual languages into a single voice: that of art as a vector of meaning.
My work draws its essence from a vibrant intersection of drawing, photography, and writing, like an electric line coursing through reality. Each piece is born from an energetic intuition, a vision that unfolds through color as a vibratory vector. Chromatic spectrums become a language, with each hue evoking a parallel dimension, a possible reality. My creative process aligns with an almost quantum approach, where layers of images, words, and sensations interweave to make the invisible visible. In this, I fully embrace Paul Klee's words: “Art does not reproduce the visible; it makes visible.”
My studio is much more than a workspace: it is a living space, a heart of creation, an energetic hub. It's where painting, photography, digital creation, scenography, and volume come together. Far from fixed formats, I design this space as a multidisciplinary laboratory where practices interact and respond to one another. Each piece is envisioned as a fragment of a universe, a passage between visible and invisible worlds. The studio is also a place of learning and transmission, where I share the tools and visions that nourish my work.
As a French creator, I spent over fifteen years working in some of the most renowned Parisian haute couture houses. This demanding path sharpened my eye and refined my sensitivity to materials, volumes, and light. I later worked as a head costume designer for film and television, before dedicating myself to scenography for prestigious events, including at the Louvre and the Grand Palais. These experiences have shaped my visual language: each piece I create carries within it that visual memory, that attention to detail, that silent dramaturgy.
Much of my inspiration stems from the natural elements, particularly those found along the seashore: low-slanting light, salty winds, the fluid and ever-changing hues of the horizon. These seascapes are not merely settings; they are matrices of sensation, reservoirs of imagery, threshold spaces. I strive to capture the unique vibration of these fleeting moments, not by faithfully reproducing them, but by transposing them into a singular, intuitive aesthetic, imbued with the emotion and energy of the place.
Each digital work I offer is produced in a very limited edition: 28 numbered copies, accompanied by two artist's proofs. This deliberate choice affirms the rarity and uniqueness of every creation. Owning one of these pieces means entering an intimate constellation, a sensitive dialogue between artistic vision and personal gaze. Each work is signed under the name Fanch, a unique artistic identity under which I gather all my creations. A signature that unites my different visual languages into a single voice: that of art as a vector of meaning.